Part 3 of the Wittstock series also shows the surroundings of the textile factory. Older gentlemen in a pub reveal that two factories produced fabrics for the military here during the Second World War. In 1945, only a handful of handlooms remained. The contemporary witness does not say why. It was probably too sensitive to reveal the reason on camera in 1978: The Soviet occupying power dismantled many production facilities in the GDR after the end of the war and transported them to the home of the victorious Red Army.

Seventh and last Wittstock film.

Sixth Wittstock film. This Wittstock film, co-produced by the French broadcaster La Sept, begins in 1990. Koepp shows the consequences of reunification and the economic and social upheavals in East Germany. The state-owned knitwear factory is privatized. Edith is the first of the film's protagonists to lose her job. She helped bring about the changes and left the SED, the GDR's ruling party, in September 1989. The three women agree that things could not continue as they were. Although they were all members of the SED and the upheavals hit them hard. Edith is in her mid-30s, as is "Stubsi," alias Elsbeth. Elsbeth is one of a group of 17 out of 80 workers who are allowed to keep their jobs. For now. Renate is laid off shortly after her 50th birthday and after 36 years of working in textile production. One of her daughters moved to the West before the end of the GDR. A good decision, Renate thinks.

Wittstock an der Dosse is located in the German state Mark Brandenburg, apx. 90 kilometers from Berlin. Since 1974 Volker Koepp visited the town several times to examine life of the female workers in the textile industry. He interviewed them about their work, spare-time, thoughts and feelings. Three of them were questioned repeatedly for a long-time overview. This is the outcome of 10 years of Koepp's work. Written by Tom Zoerner

The film follows on from "Mädchen in Wittstock", in which the director already portrayed young female workers at the VEB OTB (Obertrikotagenbetrieb) "Ernst Lück" in Wittstock an der Dosse. "Wieder in Wittstock" deals with the work and life problems of these young girls and women in the textile factory, with their demands, wishes and hopes as well as with what they have achieved and still want to achieve.

简介：1974年，导演沃尔克·科佩（Volker Koepp）首次前往维特施托克（Wittstock），这是勃兰登堡州的一座古老城镇，位于柏林西北方。他拍摄了一座大型纺织厂建设所带来的变化。在这部描绘日常生活的影片中，科佩聚焦于三位女性——伊迪丝（Edith）、埃尔丝贝特（Elsbeth）和雷娜特（Renate），她们在工作中面临着各种问题，还要应对结婚生子等人生大事……

Wittstock an der Dosse is located in the German state Mark Brandenburg, apx. 90 kilometers from Berlin. Volker Koepp came into the town in 1974 to interview women and girls about their work in the textile industry, their spare-time occupations, about their thoughts and feelings.

The fourth part of the Wittstock cycle is not only a continuation of the cinematic chronicle of the "Ernst Lück" tricot factory, but also a first summary of the development of the company since its almost ten-year existence. Edith Rupp takes center stage. She is now a master craftswoman and has become engaged, but is still skeptical about what the future will bring.

Three generations of the same family grapple with addiction and inherited trauma in this cinematic rendering of the latest album from American folk-rock band The Lumineers.

由江一燕饰演的丽娜患病在医院治疗时，她总是惦念着自己、有一个名叫小艾的女儿。为去看望女儿，她从医院逃出，回到阔别数年的家中想要领回女儿一同生活，爷爷奶奶在争夺小艾的路途中遭遇车祸去世，丽娜母女搬进了爷爷留下的老宅，每天晚上总能听到小女孩数数和弹钢琴的声音，楼道里挂着一幅脸被烧伤的小女孩的画，她觉得一切恐怖来源于这幅画，于是她想法烧了这幅画。但是却引起了一系列更恐怖的事件……